2022台灣燈會在高雄　廣邀多位設計總監訴說電影故事

2021-12-05 15:45 記者許高祥／高雄報導

▲柯青每作品「乘風光」模擬圖。

「2022台灣燈會在高雄」首創全新策展手法與電影戲劇美術設計總監合作，包括《斯卡羅》的許英光、《血觀音》的蔡珮玲、《大債時代》的柯青每、《日曜日式散步者》的廖音喬，將在衛武營公園森林中量身打造電影般的燈光藝術場景，四個場景、四個故事、四種手法，創造風格迥異、魅力十足的場景，預告明年燈會將用光影說故事，邀請每一位參觀的民眾走入戲夢人生的美麗幻境。

高雄副市長史哲表示，高雄一直勇於突破傳統燈會的框架，希望透過跨界合作，邀請不同領域的創作者共同參與，綻放這場屬於台灣盛會的美麗光彩。為了籌備本次燈會，多次走訪衛武營公園樹林、反覆思考不同的光影呈現形式，希望能在過往燈會的歡慶氣氛外，更進一步展現台灣人多彩的創造力，創造不一樣的燈會氛圍。

許英光所參與的電視劇《斯卡羅》精準還原1860年代的台灣場景，加上近年來美術設計的角色日漸重要，也因為他們發揮職人精神和細膩巧思，而誕生許多一流的高質感影視作品。電影是在光影中說故事，電影美術即是光影中的故事造景者，能觸發「燈會」裡光與影的全新想像，於是決定邀請在電影產業的第一線美術設計好手參與燈會。

柯青每曾參與多部戲劇美術設計，包含知名戲劇《他們在畢業前一天爆炸》、《大債時代》等，並獲得第48屆金鐘獎最佳美術設計獎，她的作品「乘風光」將在蓊鬱樹林包圍的湖泊上打造一座奇幻魅光的房屋，波光粼粼搖曳著電影一般如夢似幻的景致。金馬最佳紀錄片《日曜日式散步者》中考究的場景設計，由廖音喬一手打造，這次她將於層層樹林中藏起一座「異站」，日常所見的公車站，漆上復古未來感十足的蒸氣龐克燈光配⾊，吸引願意探險的群眾，走入這通往不知名遠方的驛站。

2020年疫情襲來，使人們現實生活充滿了各種限制，電影和戲劇解放我們心靈，得以遊走不同時空、窺探角色內心，正是電影美術設計將精彩劇本中描述的環境，透過環境陳設、道具裝置等，具體而微地將寫實和非寫實的世界呈現眼前，誘發演員融入場景、發揮演技，讓我們感受電影和戲劇的動人魅力。2022台灣燈會希望讓每一位來到高雄體驗光影故事的民眾，都能夠成為不同場景中的電影主角，享受穿梭真實與幻境之間的樂趣。

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